Maa Kali ( Kalika)
Kali's earliest appearance is that of a destroyer of evil forces. She is the goddess of one of the four subcategories of the Kulamārga, a category of tantric Saivism. Over time, she has been worshipped by devotional movements and tantric sects variously as the Divine Mother, Mother of the Universe, Adi Shakti, or Adi Parashakti.[3][4][5] Shakta Hindu and Tantric sects additionally worship her as the ultimate reality or Brahman. She is also seen as divine protector and the one who bestows moksha, or liberation. Kali is often portrayed standing or dancing on her consort, the Hindu god Shiva, who lies calm and prostrate beneath her. Kali is worshipped by Hindus throughout India.
Popular form
Classic depictions of Kali share several features, as follows:
Kali's most common four armed iconographic image shows each hand carrying variously a sword, a trishul (trident), a severed head, and a bowl or skull-cup (kapala) catching the blood of the severed head.
Two of these hands (usually the left) are holding a sword and a severed head. The sword signifies divine knowledge and the human head signifies human ego which must be slain by divine knowledge in order to attain moksha. The other two hands (usually the right) are in the abhaya (fearlessness) and varada (blessing) mudras, which means her initiated devotees (or anyone worshipping her with a true heart) will be saved as she will guide them here and in the hereafter.
She has a garland consisting of human heads, variously enumerated at 108 (an auspicious number in Hinduism and the number of countable beads on a japa mala or rosary for repetition of mantras) or 51, which represents Varnamala or the Garland of letters of the Sanskrit alphabet, Devanagari. Hindus believe Sanskrit is a language of dynamism, and each of these letters represents a form of energy, or a form of Kali. Therefore, she is generally seen as the mother of language, and all mantras.
She is often depicted naked which symbolizes her being beyond the covering of Maya since she is pure (nirguna) being-consciousness-bliss and far above prakriti. She is shown as very dark as she is brahman in its supreme unmanifest state. She has no permanent qualities—she will continue to exist even when the universe ends. It is therefore believed that the concepts of color, light, good, bad do not apply to her.
Mahakal
Mahakali (Sanskrit: Mahākālī, Devanagari: महाकाली), literally translated as Great Kali, is sometimes considered as a greater form of Kali, identified with the Ultimate reality of Brahman. It can also be used as an honorific of the Goddess Kali, signifying her greatness by the prefix "Mahā-". Mahakali, in Sanskrit, is etymologically the feminized variant of Mahakala or Great Time (which is interpreted also as Death), an epithet of the God Shiva in Hinduism. Mahakali is the presiding Goddess of the first episode of the Devi Mahatmya. Here she is depicted as Devi in her universal form as Shakti. Here Devi serves as the agent who allows the cosmic order to be restored.
Kali is depicted in the Mahakali form as having ten heads, ten arms, and ten legs. Each of her ten hands is carrying a various implement which vary in different accounts, but each of these represent the power of one of the Devas or Hindu Gods and are often the identifying weapon or ritual item of a given Deva. The implication is that Mahakali subsumes and is responsible for the powers that these deities possess and this is in line with the interpretation that Mahakali is identical with Brahman. While not displaying ten heads, an "ekamukhi" or one headed image may be displayed with ten arms, signifying the same concept: the powers of the various Gods come only through Her grace.
Daksinakali
Daksinakali, also spelled Dakshinakali, is the most popular form of Kali in Bengal. She is the benevolent mother, who protects her devotees and children from mishaps and misfortunes. There are various versions for the origin of the name Dakshinakali. Dakshina refers to the gift given to a priest before performing a ritual or to one's guru. Such gifts are traditionally given with the right hand. Daksinakali's two right hands are usually depicted in gestures of blessing and giving of boons. One version of the origin of her name comes from the story of Yama, lord of death, who lives in the south (daksina). When Yama heard Kali's name, he fled in terror, and so those who worship Kali are said to be able to overcome death itself.
Daksinakali is typically shown with her right foot on Shiva's chest—while depictions showing Kali with her left foot on Shiva's chest depict the even more fearsome Vamakali. The pose shows the conclusion of an episode in which Kali was rampaging out of control after destroying many demons. Shiva, fearing that Kali would not stop until she destroyed the world, could only think of one way to pacify her. He lay down on the battlefield so that she would have to step on him. Seeing her consort under her foot, Kali realized that she had gone too far, and calmed down. In some interpretations of the story, Shiva was attempting to receive Kali's grace by receiving her foot on his chest.
There are many different interpretations of the pose held by Dakshinakali, including those of the 18th and 19th century bhakti poet-devotees such as Ramprasad Sen. Most have to do with battle imagery and tantric metaphysics. The most popular however is a devotional view. According to Rachel Fell McDermott, the poets portrayed Siva as "the devotee who falls at [Kali's] feet in devotion, or in surrender of his ego, or in hopes of gaining moksha by her touch. In fact, Siva is said to have become so enchanted by Kali that he performed austerities to win her, and having received the treasure of her feet, held them against his heart in reverence.
The growing popularity of worship of a more benign form of Kali, as Daksinakali, is often attributed to Krishnananda Agamavagisha. He was a noted Bengali leader of the 17th century, author of a Tantra encyclopedia called Tantrasara. According to hearsay - Kali appeared to him in a dream and told him to popularize her in a particular form that would appear to him the following day. The next morning he observed a young woman making cow dung patties. While placing a patty on a wall, she stood in the alidha pose, with her right foot forward. When she saw Krishnananda watching her, she was embarrassed and put her tongue between her teeth. Krishnananada took his previous worship of Kali out of the cremation grounds and into a more domestic setting. Krishnananda Vagamavagisha was also the guru of the Kali devotee and poet Ramprasad Sen.
Shamshan Kali
If the Kali steps out with the left foot and holds the sword in her right hand, she is the terrible form of Mother, the Shamshan Kali of the cremation ground.She is worshiped by tantrics, the followers of Tantra, who believe that one's spiritual discipline practised in a smashan(cremation ground) brings success quickly. A well known Shamshan Kali can be found in Barabelun, located in Bardhaman District of West Bengal. Known as "Boro-Ma" or the Big Mother, this Kali is estimated to be over 550 years old. The 24 foot high idol is worshipped and revered by the masses.
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